Taj Mahal

The Taj Mahal , is a mausoleum located in Agra, India, that was built under Mughal Emperor Shah Jahan in memory of his favorite wife, Mumtaz Mahal.

The Taj Mahal (also "the Taj") is considered the finest example of Mughal architecture, a style that combines elements from Persian, Turkish, Indian, and Islamic architectural styles. In 1983, the Taj Mahal became a UNESCO World Heritage Site and was cited as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage."

While the white domed marble and tile mausoleum is most familiar, Taj Mahal is an integrated symmetric complex of structures that was completed around 1648. Ustad Ahmad Lahauri is generally considered to be the principal designer of the Taj Mahal.

The tomb

The focus of the Taj Mahal is the white marble tomb, which stands on a square plinth consisting of a symmetrical building with an iwan, an arch-shaped doorway, topped by a large dome. Like most Mughal tombs, basic elements are Persian in origin.

The base structure is a large, multi-chambered structure. The base is essentially a cube with chamfered edges and is roughly 55 meters on each side (see floor plan, right). On the long sides, a massive pishtaq, or vaulted archway, frames the iwan with a similar arch-shaped balcony.

On either side of the main arch, additional pishtaqs are stacked above and below. This motif of stacked pishtaqs is replicated on chamfered corner areas as well. The design is completely symmetrical on all sides of the building. Four minarets, one at each corner of the plinth, facing the chamfered corners, frame the tomb. The main chamber houses the false sarcophagi of Mumtaz Mahal and Shah Jahan; their actual graves are at a lower level.

The marble dome that surmounts the tomb is its most spectacular feature. Its height is about the same size as the base of the building, about 35 meters, and is accentuated as it sits on a cylindrical "drum" of about 7 metres high. Because of its shape, the dome is often called an onion dome (also called an amrud or guava dome). The top is decorated with a lotus design, which serves to accentuate its height as well. The shape of the dome is emphasised by four smaller domed chattris (kiosks) placed at its corners. The chattri domes replicate the onion shape of the main dome. Their columned bases open through the roof of the tomb and provide light to the interior. Tall decorative spires (guldastas) extend from edges of base walls, and provide visual emphasis to the height of the dome. The lotus motif is repeated on both the chattris and guldastas. The dome and chattris are topped by a gilded finial, which mixes traditional Persian and Hindu decorative elements.

The main dome is crowned by a gilded spire or finial. The finial, made of gold until the early 1800s, is now made of bronze. The finial provides a clear example of integration of traditional Persian and Hindu decorative elements. The finial is topped by a moon, a typical Islamic motif, whose horns point heavenward. Because of its placement on the main spire, the horns of moon and finial point combine to create a trident shape, reminiscent of traditional Hindu symbols of Shiva.

At the corners of the plinth stand minarets, the four large towers each more than 40 meters tall. The minarets display the Taj Mahal's penchant for symmetry. These towers are designed as working minarets, a traditional element of mosques as a place for a muezzin to call the Islamic faithful to prayer. Each minaret is effectively divided into three equal parts by two working balconies that ring the tower. At the top of the tower is a final balcony surmounted by a chattri that mirrors the design of those on the tomb. The minaret chattris share the same finishing touches, a lotus design topped by a gilded finial. Each of the minarets were constructed slightly outside of the plinth, so that in the event of collapse, a typical occurrence with many such tall constructions of the period, the material from the towers would tend to fall away from the tomb.

Petra

Petra is an archaeological site in Arabah, Ma'an Governorate, Jordan, lying on the slope of Mount Hor in a basin among the mountains which form the eastern flank of Arabah (Wadi Araba), the large valley running from the Dead Sea to the Gulf of Aqaba. It is renowned for its rock-cut architecture. Petra is also one of the new wonders of the world.

The site remained unknown to the Western world until 1812, when it was discovered by Swiss explorer Johann Ludwig Burckhardt. It was famously described as "a rose-red city half as old as time" in a Newdigate prize-winning sonnet by John William Burgon. UNESCO has described it as "one of the most precious cultural properties of man's cultural heritage." In 1985, Petra was designated a World Heritage Site.

History:

So far, no method has been found to determine when the history of Petra began. Evidence suggests that the city was founded relatively late, though a sanctuary may have existed there since very ancient times. This part of the country was traditionally assigned to the Horites, probably cave-dwellers, the predecessors of the Edomites.The habits of the original natives may have influenced the Nabataean custom of burying the dead and offering worship in half-excavated caves. However, the fact that Petra is mentioned by name in the Old Testament cannot be verified. Although Petra is usually identified with Sela which also means a rock, the Biblical references[9] are not clear. 2 Kings xiv. 7 seems to be more specific. In the parallel passage, however, Sela is understood to mean simply "the rock" (2 Chr. xxv. 12, see LXX). As a result, many authorities doubt whether any town named Sela is mentioned in the Old Testament.

It is unclear exactly what Semitic inhabitants called their city. Apparently on the authority of Josephus (Antiquities of the Jews iv. 7, 1~ 4, 7), Eusebius and Jerome (Onom. sacr. 286, 71. 145, 9; 228, 55. 287, 94), assert that Rekem was the native name and Rekem appears in the Dead Sea scrolls as a prominent Edom site most closely describing Petra. But in the Aramaic versions Rekem is the name of Kadesh, implying that Josephus may have confused the two places. Sometimes the Aramaic versions give the form Rekem-Geya which recalls the name of the village El-ji, southeast of Petra. The capital, however, would hardly be defined by the name of a neighboring village. The Semitic name of the city, if not Sela, remains unknown. The passage in Diodorus Siculus (xix. 94–97) which describes the expeditions which Antigonus sent against the Nabataeans in 312 BC is understood to throw some light upon the history of Petra, but the "petra" referred to as a natural fortress and place of refuge cannot be a proper name and the description implies that the town was not yet in existence. Brünnow thinks that "the rock" in question was the sacred mountain en-Nejr (above). But Buhl suggests a conspicuous height about 16 miles (26 km) north of Petra, Shobak, the Mont-royal of the Crusaders, aka Montreal.

More satisfactory evidence of the date of the earliest Nabataean settlement may be obtained from an examination of the tombs. Two types may be distinguished—the Nabataean and the Greco-Roman. The Nabataean type starts from the simple pylon-tomb with a door set in a tower crowned by a parapet ornament, in imitation of the front of a dwelling-house. Then, after passing through various stages, the full Nabataean type is reached, retaining all the native features and at the same time exhibiting characteristics which are partly Egyptian and partly Greek. Of this type there exist close parallels in the tomb-towers at el-I~ejr [?] in north Arabia, which bear long Nabataean inscriptions and supply a date for the corresponding monuments at Petra. Then comes a series of tombfronts which terminate in a semicircular arch, a feature derived from north Syria. Finally come the elaborate façades copied from the front of a Roman temple; however, all traces of native style have vanished. The exact dates of the stages in this development cannot be fixed. Strangely, few inscriptions of any length have been found at Petra, perhaps because they have perished with the stucco or cement which was used upon many of the buildings. The simple pylon-tombs which belong to the pre-Hellenic age serve as evidence for the earliest period. It is not known how far back in this stage the Nabataean settlement goes, but it does not go back farther than the 6th century BC.

A period follows in which the dominant civilization combines Greek, Egyptian and Syrian elements, clearly pointing to the age of the Ptolemies. Towards the close of the 2nd century BC, when the Ptolemaic and Seleucid kingdoms were equally depressed, the Nabataean kingdom came to the front. Under Aretas III Philhellene, (c.85–60 BC), the royal coins begin. The theatre was probably excavated at that time, and Petra must have assumed the aspect of a Hellenistic city. In the reign of Aretas IV Philopatris, (9 BC–AD 40), the fine tombs of the el-I~ejr [?] type may be dated, and perhaps also the great High-place.

Machu Picchu

Machu Picchu (Quechua: Machu Picchu, "Old mountain") is a pre-Columbian Inca site located 2,400 meters (7,875 ft) above sea level. It is situated on a mountain ridge above the UrubambaValley in Peru, which is 80 km (50 mi) northwest of Cusco. Often referred to as "The Lost City of the Incas", Machu Picchu is probably the most familiar symbol of the Inca Empire.

It was built around the year 1450, but abandoned a hundred years later, at the time of the Spanish conquest of the Inca Empire. Forgotten for centuries, the site was brought to worldwide attention in 1911 by Hiram Bingham, an American historian. Since then, Machu Picchu has become an important tourist attraction. It has recently come to light that the site may have been discovered and raided several years previously, in 1867 by a German businessman, Augusto Berns. It was declared a Peruvian Historical Sanctuary in 1981 and a UNESCO World Heritage Site in 1983. It is also one of the New Seven Wonders of the World.

Machu Picchu was built in the classical Inca style, with polished dry-stone walls. Its primary buildings are the Intihuatana, the Temple of the Sun, and the Room of the Three Windows. These are located in what is known by archaeologists as the Sacred District of Machu Picchu. In September of 2007, Peru and Yale University reached an agreement regarding the return of artifacts which Hiram Bingham had removed from Machu Picchu in the early 20th century. Currently, there are concerns about the impact of tourism on the site as it reached 400,000 visitors in 2003.

Sunrise at Machu Picchu

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Colosseum

The Colosseum or Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheatre in the centre of the city of Rome, Italy, the largest ever built in the Roman Empire. It is one of the greatest works of Roman architecture and Roman engineering.

Occupying a site just east of the Roman Forum, its construction started between 70 and 72 AD under the emperor Vespasian and was completed in 80 AD under Titus, with further modifications being made during Domitian's reign (81–96).[1] The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus's family name (Flavius, from the gens Flavia).

Originally capable of seating around 50,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles. It remained in use for nearly 500 years with the last recorded games being held there as late as the 6th century. As well as the traditional gladiatorial games, many other public spectacles were held there, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building eventually ceased to be used for entertainment in the early medieval era. It was later reused for such varied purposes as housing, workshops, quarters for a religious order, a fortress, a quarry and a Christian shrine.

Although in the 21st century it is in a ruined condition due to damage caused by earthquakes and stone-robbers, the Colosseum has long been seen as an iconic symbol of Imperial Rome. It is one of modern Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession to the amphitheatre.

The Colosseum is also depicted on the Italian version of the five-cent euro coin.

Christ the Redeemer:

Christ the Redeemer (Portuguese: O Cristo Redentor), is a statue of Jesus Christ in Rio de Janeiro, Brazil.The statue stands 38 metres (120 ft) tall weighs 700 short tons (635 tonnes), and is located at the peak of the 700 metres (2,300 ft) Corcovado mountain in the Tijuca Forest National Park overlooking the city. It is the tallest of its kind in the world. It is made of reinforced concrete and soapstone.

A symbol of Christianity, the statue has become an icon of Rio and Brazil.

History:

The idea for erecting a large statue atop Corcovado had been around since mid 1850s, when Catholic priest Pedro Maria Boss requested financing from Princess Isabel to build a large religious monument. Princess Isabel did not think much of the idea, which was completely dismissed in 1889, when Brazil became a Republic, with laws mandating the separation of church and state.

The second proposal for a large landmark statue on the mountain was made in 1921 by the Catholic Circle of Rio.The group organised an event called Semana do Monumento ("Monument Week") to attract donations and collect signatures to support the building of the statue. The donations came mostly from Brazilian Catholics.The designs considered for the "Statue of the Christ" included a representation of the Christian cross, a statue of Jesus with a globe in his hands, and a pedestal symbolizing the world.The statue of Christ the Redeemer with open arms was chosen.

Local engineer Heitor da Silva Costa designed the statue; it was sculpted by Paul Landowski, a French monument sculptor of Polish origin. A group of engineers and technicians studied Landowski's submissions and the decision was made to build the structure out of reinforced concrete (designed by Albert Caquot) instead of steel, more suitable for the cross-shaped statue.The outer layers are soapstone, chosen for its enduring qualities and ease of use.Construction took nine years, from 1922 to 1931. The monument was opened on October 12, 1931. The cost of the monument was $250,000. The statue was meant to be lit by a battery of floodlights triggered remotely by shortwave radio pioneer Guglielmo Marconi, stationed 5,700 miles (9,200 km) away in the Bay of Naples, but poor weather affected the signal and the statue had to be lit by workers in Rio.

The statue was struck by lightning during a violent electrical storm on Sunday, February 10, 2008. The storm caused havoc in Rio, felling trees in several neighbourhoods, but the statue was left unscathed.

Chichen Itza:

Chichen Itza from Yucatec Maya: Chi'ch'èen Ìitsha' ("At the mouth of the well of the Itza") is a large pre-Columbian archaeological site built by the Maya civilization located in the northern center of the Yucatán Peninsula, in the Yucatán state, present-day Mexico.

Chichen Itza was a major regional focal point in the northern Maya lowlands from the Late Classic through the Terminal Classic and into the early portion of the Early Postclassic period. The site exhibits a multitude of architectural styles, from what is called “Mexicanized” and reminiscent of styles seen in central Mexico to the Puuc style found among the Puuc Maya of the northern lowlands. The presence of central Mexican styles was once thought to have been representative of direct migration or even conquest from central Mexico, but most contemporary interpretations view the presence of these non-Maya styles more as the result of cultural diffusion.

Archaeological data, such as evidence of burning at a number of important structures and architectural complexes, suggest that Chichen Itza's collapse was violent. Following the decline of Chichen Itza's hegemony, regional power in the Yucatán shifted to a new center at Mayapan.

The ruins of Chichen Itza are federal property, and the site’s stewardship is maintained by Mexico’s National Institute of Anthropology and History (Instituto Nacional de Antropología e Historia, INAH). The land under the monuments, however, is privately-owned by the Barbachano family.